The V chord's 3rd is the 7th of the Cmaj7. Now observe the notes that are in common. If you disagree with any of these lyrics or chords, just change. Chord changes to songs are subjective, and lyrics. And the 7th of the V chord and the 3rd of the 3rd of the I chord. Georgia On My Mind The Girl from Ipanema. It is a good idea to note how close these notes are to each other, such as a semitone difference between the minor 7th of the ii chord and the 3rd of the V chord. Playing a ii V I is not best done like this though- targeting chord tones is much better, especially the 3rd and the 7th.įor example play melodies where these notes feature as landing points in your phrasing: once you have learned to play them.ĭm7, G7, C maj7 call all be played with D dorian, G Mixolydian, C Ionian. You can play any of the modes in any position. Try to think of 'positions on the guitar' and 'modes' as separate things. If you are playing over a C chord then the position on the neck might be around the 3rd fret, starting on the G but really you are playing C Major (Ionian mode). ' Am I right in thinking that the preferred chord to solo over with G Mixolydian would be C?' The problem is doing it mindlessly and without specific intent.Īlways think 'what am I trying to say and why am I doing this'? Play with guitar, piano, ukulele, mandolin or banjo. Bb G Gm Eb Cm Chords for Hoagy Carmichael - Georgia on My Mind with Key, BPM, and easy-to-follow letter notes in sheet. You can even play a minor pentatonic over a major chord- loads of rock, pop and blues music does this. ChordU Notes are transposable to any key & you can control tempo of the notes playback. Upper structure triads can also be used to create more tension and strengthen the sense of resolution for each chord change.This is where modes are fun, because you can actually play any of the major modes over a major chord, but it depends on what you are trying to say and where the chord progression goes. We can use half step chromatic approach chords in between each of the chord changed to create more harmonic impact. This harmonic and melodic situation is particularly well suited to passing chords. Passing Chords For 3625 Progressionsīars 5 to 8 of the A Section contain 2 back-to-back 3625 progressions with the chord changes on the half beat and the melody on the quarter beat. A half step above D- is Eb so we would play some kind of Eb7 chord and we now have the progression E-7b5 to A7 to Eb7 to D.

This passage can be further enhanced with a chromatic dominant passing chord into the D-7. Remember that with minor 251s the ii chord is usually voices as a -7b5 chord. The A7 is functioning as the V7 chord of D- and so we can approach the A7 with E-7b5 to create a full 251 progression.

Georgia on my Mind (Hoagy Carmichael) - Jazz guitar chord melody arrangement. The first opportunity that I spot to add a passing chord is in the second bar of the tune where we have an A7 chord for the entire bar moving to D- in bar 3. Blue Bossa (Kenny Dorham) - Theme and jazz guitar solo. Approaching V7 Chords with the Related ii-7 Chord The A Section of the tune repeats 3 times and so passing chords can be used to add interest and variety to otherwise identical harmonic passages. Understand that we don’t have to play passing chords but they are an option. We are now going to focus on the harmony of the tune and apply passing chords in addition to the regular chord changes. In the previous lessons we have studied the basic harmony of the tune “Georgia On My Mind” and we introduced a simple left hand stride style with right hand melodic embellishments. In this lesson we will explore the concept of passing chords.

Georgia on my mind chord changes